Light, Noise, Smoke, and Light, Noise, Smoke

Light, Noise, Smoke, and Light, Noise, Smoke

Rhythmic and hypnotic, Light, Noise, Smoke, and Light, Noise, Smoke is the latest triumph from analogue maestro Tomonari Nishikawa, a deceptively...

See more
Market Street

Market Street

All images were filmed on Market Street, one of the main streets in San Francisco. The visual was carefully composed frame by frame, while shooting...

See more
Ten Mornings Ten Evenings and One Horizon

Ten Mornings Ten Evenings and One Horizon

Shot using a masking technique and several exposures which collapse temporalities, Tomonari Nishikawa’s Ten Mornings Ten Evenings and One Horizon...

See more
Tokyo - Ebisu

Tokyo - Ebisu

Train platforms in Tokyo, as seen by avant-garde filmmaker Tomonari Nishikawa.

See more
Six Seventy-Two Variations, Variation 3 (For Charles)

Six Seventy-Two Variations, Variation 3 (For Charles)

This is the third variation of the on-going 16mm film projector performance piece, "Six Seventy-Two Variations," for which I produce images and...

See more
Into the Mass

Into the Mass

Images are originally shot by two super 8 cameras, capturing the side views of me riding a bicycle, from Marin County to San Francisco. The dual...

See more
Performance for Three Slide Projectors

Performance for Three Slide Projectors

“I use 3 slide projectors to show slides with colors filters – red, green and blue – while controlling a timer to adjust the duration of each color...

See more
Sound of a Million Insects, Light of a Thousand Stars

Sound of a Million Insects, Light of a Thousand Stars

35mm negative film stock was buried under leaves near the Fukushima Daiichi Nuclear Power Station. The abstract flurry of activity on the surface...

See more
Sketch Film #3

Sketch Film #3

Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a...

See more
Apollo

Apollo

The sound will be produced from the visual on the optical soundtrack – for some parts, I used a 35mm still camera to expose the soundtrack area...

See more
Amusement Ride

Amusement Ride

Shot on Yokohama’s famous Cosmo Clock 21 Ferris Wheel using a telephoto lens, Japanese experimentalist Tomonari Nishikawa's film becomes a...

See more
Shibuya - Tokyo

Shibuya - Tokyo

"JR (Japan Railway Company) Yamanote Line is one of the Japan's busiest lines, consisting of 29 stations and running as a loop. The film shows...

See more
Luminous Veil

Luminous Veil

Short film by Tomonari Nishikawa

See more
45 7 Broadway

45 7 Broadway

A vibrantly kinetic portrait of New York's Times Square, shot through technicoloured filters, by Tomonari Nishikawa

See more
Sketch Film #1

Sketch Film #1

Sketch Film #1 (Tomonari Nishikawa, 2005, 3 min., super 8, silent, 18/24fps, b&w, USA) As a painter carries a sketchbook and practices drawing, I...

See more
Clear Blue Sky

Clear Blue Sky

Clear Blue Sky is the study of movements, colors, shapes and their relation to sound. Visual effects are created through, not a lens, but an...

See more
16-18-4

16-18-4

This film was shot with a still camera with 16 lenses, which takes a series of 16 pictures within 1.5 seconds, fitting onto two normal frame areas....

See more
Six Seventy-Two Variations, Variation 1

Six Seventy-Two Variations, Variation 1

In this live projection performance for 16mm film, Tomonari Nishikawa explores the material specificity of the cinematic apparatus through a...

See more
Manhattan One Two Three Four

Manhattan One Two Three Four

A study in visual rhythm with images of architecture in Manhattan, New York, using the technique I did for the first sequence in Sketch Film #3...

See more
Six Seventy-Two Variations, Variation 2

Six Seventy-Two Variations, Variation 2

“I use a wood carving knife to scratch off the photographic emulsion on a looped filmstrip in this live performance. Scratched patterns, consisting...

See more