Heads
Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.
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A Peter Gidal short film
See moreClouds
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using...
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A slow zoom out and defocus of 'An enclosed and progressive disembowelment of durational progression.'
See moreCoda I
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read...
See moreRoom Film 1973
"This film is a consequent continuation and contraction of my film work, research which began with Room (1967). The film is not a translation of...
See moreCondition of Illusion
The practice of Structural/Materialist Film is defined in...process, construction, displaced reflexively...not displaced uniformly into the pattern...
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Hopefully learning the lessons of Close Up, the attempt was to construct the discrete form the (seemingly) continuous... so that, mainly...
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Volcano, half hour, silent, shot on 16mm on a volcano in Hawaii, the film attempts to deal with those questions of representation that persist as...
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A film by Peter Gidal
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16mm, 8'20"
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Peter Gidal's 'Upside Down Feature' is one of the most important films to have been made in this country. It makes a complex and original foray...
See moreCoda II
Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much...
See moreLoop
Loop ended up being a film that also 'ended' Upside Down Feature (1967-72) and was a negative upside down portrait as well....in negative, the...
See moreAssumption
Assumption is a virtuosic personal tribute, a glimpse at history and a celebration of independent film culture. Gidal's short film was assembled...
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Made from the same footage as Epilogue but in a different order: 1. pan, 2. dissolve-crossfade, 3.freeze.... as opposed topan, freeze...
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Early short by Peter Gidal.
See moreCoda I + Coda II
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read...
See moreClose Up
Close Up is a provocative and potentially dangerous pulling together of two opposing aspects of film form - namely, a 'documentartist' soundtrack...
See moreFourth Wall
The film attempts to construct a space (as all films do), to construct a time (as all films do), to construct a process (as all films do) of and...
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