In Hernals documentary and pseudo-documentary procedures were filmed simultaneously by two cameras from different viewpoints. The material was then...

Scheugl elevates the trivial, the snapped up and coincidental to unmixed small films. In Safety Film he dismembers an epic Hollywood western by...

The title of this film refers to the sublime possibilities of the film: the film can be seen forwards, backwards, from above or even upside down...

With his film, Sugar Daddies, Scheugl leaves the cinema and projects the film in a place similar to the location of the filming: the film material...

A continuous shot from a vehicle's dashboard offering fascinating glimpse of a Calcutta street and the larger picture of daily life in the city.

The entrance to a men's toilet in an underground pedestrian passage in Vienna. Church bells are heard in the distance. In a merciless editing...

A film about speech.

Hans Scheugl’s hamburg special consists of a spool of thread that runs through the projector instead of a film. On the bright empty screen appears...

This is the theme of the film: The secret of objects in the huge space and time curve: the not-being-able-to-recognize, the not-being-able-to-grasp...

A car drives through Schumann street from its beginning to its end. The drive was filmed in one take, end and beginning of the film being identical...

Documentary by Hans Scheugl on Kurt Kren.