The Good Cinema
An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in...
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In a small port city on the coast of São Paulo, Brazil, rapid advances in infrastructure works and growing tourist development are increasingly...
See moreNot by Chance
Enio is a middle-aged man who lives in solitude after a failed relationship. Pedro, 30, dates Teresa, who is moving to her home. He inherited a...
See moreOzualdo Candeias and the Cinema
Using a mixture of film clips and interviews with Ozualdo Candeias himself the film tells the director's 40 year trajectory.
See moreMaremoto
A Última Praga de Mojica
The short film reports the process of rescuing and finishing A Praga, by José Mojica Marins, o Zé do Caixão. Produced in 1980, the film was never...
See moreCarlos Reichenbach: Relatório Confidencial
Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially...
See moreRepublic of Judges
Republic of Judges presents a panorama of central events in Brazilian politics from recent decades, such as the Constitution of 1988, the Mensalão...
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There is no place in the world where the prison population grows as fast as in Brazil, a country that have the fourth largest population of inmates...
See moreThe Curse
While out for a walk in the countryside, Marina and Juvenal stop to take some pictures in front of an old woman’s house. Annoyed, the old woman...
See moreA Treat of Coutinho
Would have one of the masters of Brazilian cinema always made the same film? From an encounter with documentarian Eduardo Coutinho recorded in 2012...
See moreCompêndio da Vida de um Homem Gasto e o Seu Último Desejo Perante Ela
An old man stuck in a wheelchair has a red ball for only distraction. He throws it harder and harder, higher and higher, until it finally slips...
See moreEu, Minha Mãe e Wallace
The story of a photograph: A single mother, an absent father and a child.
See moreOlhos Livres
Júlia Porrada
Nós do Audiovisual
Confissões de um Cinema em Formação
MOEDA GOSTOSO
Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
Marginal Orange