"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic...

A performance in which Schneemann personifies an irrepressible vulva, which engages two animal hand puppets in a clamorous deconstruction of sexual...

A silent film of collaged and painted sequences of lovemaking between Schneemann and her then partner, composer James Tenney; observed by the cat...

Writes Schneemann: "The 'Americana I Ching Apple Pie' recipe was first enacted in my Belsize, London kitchen in 1972. Unfortunately, the original...

Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers...

Up To and Including Her Limits extends the principles of Jackson Pollock's action painting. Schneemann is suspended from a rope harness, naked and...

The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a...

Devour is a dual-channel version of the artist's multi-channel video projection installation of the same name. Schneemann notes that this work...

Writes Schneemann: "Souvenir of Lebanon follows a long video pan through destroyed Palestinian and Lebanese villages. In 1982-83, Israeli ceaseless...

Video documentation of performance of the work hosted by De Appel, Amsterdam, in 1977 and filmed by Miguel-Ángel Cárdenas. In ABC - We print...

Schneemann’s cat, Kitch, who was featured in works such as Fuses, was a major figure in Schneemann’s work for almost twenty years. The moving...

Pinea Silva: Lost Meanings of the Christmas Tree, a performance-lecture by Carolee Schneemann, was first presented on December 15, 2011 as part of...

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over...

Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps,...

Infinity Kisses - The Movie completes Schneemann's exploration of human and feline sensual communication. It incorporates extracts of the original...

Schneemann's classic 1966 aerial "Kinetic Theatre" work was first staged at St. Mark's Church in the Bowery, with eight performers moving to a...

For this performative/lecture, Schneemann invited Teija Lammi, museum librarian at the Porin Taidemuseo in Pori, Finland, to be an improvisatory...

Catscan is a group performance within a chaotic density of projected images and office furniture, motivated by Egyptian funerary rituals of...

Vulvic puns, jokes and ruminations on the meanings of menstrual blood activate a range of taboos surrounding cultural notions of the feminine as a...

In all Schneemann's montages, films and performances, there is an insistent repetition of disparate motifs — within each work and from work to work...