The 120 Days of Bottrop
An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.
See more15/67: TV
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the...
See more42/83: No Film
"In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to...
See more10/65: Self-Mutilation
Kren’s 10/65 Selfmutilation is developed from a Gunter Brus “action”. What the film emphasizes is the surrealistic drama of symbolic...
See more1/57: Experiment with Synthetic Sound (Test)
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a...
See more6/64: Mom and Dad (An Otto Mühl Happening)
In the first action he filmed, 6/64 Mama und Papa, Kren’s editing leads to many interlocking continuous shots; central takes recur like a leitmotif...
See more37/78: Tree Again
At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single...
See more31/75: Asylum
A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the...
See more7/64: Leda and the Swan
Based on a Muehl Happening. The almost convulsive use of juxtaposition reappears here, but the captured gesture assumes a more erotic sensitivity...
See more44/85: Foot'-age Shoot'-out
"It became easier to understand Kren's method of approaching film when he illustrated his matter-of-factness with a story: he was asked to shoot...
See moreThe Lascivious Wotan
A subversive and experimental film by Otto Muehl.
See more30/73 Coop Cinema Amsterdam
Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long...
See more38/79: Sentimental Punk
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a...
See more12/66: Cosinus Alpha
Kren’s last film to include any direct reference to Otto Muehl is 12/66: Cosinus Alpha, a 10-minute film that completes a cycle of elaborate...
See more9/64: O Christmas Tree
In 9/64 O Christmas Tree Kren offers a more visually descriptive development of a Muehl "action". The images have been chosen to follow a more...
See more10c/65: Brus wishes his Christmas on you
A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time...
See more8/64: Ana - Action Brus
This three-minute film was far more akin to the American-style "happening" in that the content was not particularly extreme. It was built up from...
See more26/71: Zeichenfilm – Balzac und das Auge Gottes
Zeichenfilm - Balzac oder das Auge Gottes is a play on the idea of trick film. And trick film it is. The 30-second work is shown twice in case the...
See more23/69: Underground Explosion
A report about an Underground Festival on tour through Germany and Switzerland.
See more3/60: Trees in Autumn
The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is...
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