With Istanbul, Martine Rousset puts on the brakes to the world's movement through a cinema of deceleration. At the boundaries between image by...

The first part of the Carolyn Carlson cycle. Between her and herself. Three images of the dance are repeated, come up against opacities that do not...

The unfinished Julien Gracq text, the road 1970, a forest near the sea, the enigma of a trajectory, by this text in this lanscape and this...

Night is falling the landscape is disappearing leave the world and its memory the night, rags in its wake last page.

This is what the city offers the passing foreigner: gold and night to the visitor who has barely arrived. Fragments, the stone found by the...

Winter, fog, outside. The outline of eyes, sometimes we could ride those trails.

A film about my relationship to New York since 1962. It deals with the distance between a memory and the image of this memory, a distance one...

Filmmaker's visual diary during her visit to Samarcande.

"With Un vent leger dans le feuillage, a fixed close-up which for three minutes decays a few leaves of their green color, Martine Rousset films the...

The voices say a story. forget it. Of what time. And who speaks. Both of them. One or the other. later. Others may be. Of chance. Which would...

Traces of stories. The images themselves. Tear off. Stain. To paint. Makes light out of them.