An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its...

Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title...

A film by Steina and Woody Vasulka

In Warp, Steina makes use of her two favourite features of the Image/ine software, written by Tom Demeyer. The first feature – ‘warp’ – is a time...

Documentation and experimentation in real time, "Orbital Obsessions" is an example of early video self-portraiture, eerie and calm in its radical...

In Flux, Steina films a river from a wide angle, deforming the image to the point of creating a sort of radiating, aqueous ball - like a liquid...

One of the works assembled in the series Sketches. These early sketches, created not without the irony, examine ways of manipulating the video...

Produced by the National Endowment for the Arts, along with the Jerome Foundation, this showcase is hour-long collection of shorts from six...

A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...

Soundsize continues the Vasulkas' investigation into the relationship of sound and image. Here a pattern of dots is modulated by sounds generated...

“Selected Treecuts” is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of...

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs for broadcast on WNED in Buffalo, New York. In the...

In this early formal experiment with analog image processing, the Vasulkas investigate multiple camera set-ups and keyers to articulate spatial...

B&W Vasulka project with a rotating camera, keyed and alternating directions. This experiment is excerpted in their 1977 work Orbital Obsessions.

STEINA: “My background is in music. For me, it is the sound that leads me into the image. Every image has its own sound and in it I attempt to...

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs (Steina, Objects, Digital Images, Transformations...

Description from Portable Channel catalog: "This Program is a unique broadcast presentation of the Vasulka's recent experiments with the electronic...

A "remix" of Hollis Frampton's film Artificial Light.