This early UCLA student film by noted visual effects pioneer Robert Abel (1937-2001) employs a mixed media approach to distill the kinetic energy of an industrial train depot into bold graphic elements. With a jazz score, Piet Mondrian-inspired lines and Oskar Fischinger-style movement, the highly-accomplished animated short evokes the modernist works of Saul Bass and Ray and Charles Eames.

01 January 1963

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