A 1963 timelapse recording shows the effects of air pollution during an entire day on Santa Monica Bay in Los Angeles. A machine interpretation of...

Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.

"This is taking a Super 8mm camera around with me wherever I go and I'm very interested in windows at this time of travel, and I'm trying to make a...

Feeling lost, a holidayer takes a vacation, only to discover a world that is as banal as it is hyper-real. A found-footage essay film. A...

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work...

A filmmaker reconstructs a common memory about the formerly industrialized Lake Constance region, which was also largely built up by migration –...

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not...

A short made during quarantine. - "I feel like I'm coming out of hibernation. I did not learn anything, I did not developed personal growth, nor...

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with...

A song of love to the city of Genoa. The film wanders the streets of the city center and explore the beautiful cemetery and then climb the hills...

By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my...

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

A completely new story based on existing footage from the series Columbo.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between...

Short experimental film.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.

Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as...