A filmic homage to the German mime Helfrid Foron, a student of Etienne Decroux who worked with acrobats and tight-rope walkers. He frequently collaborated with contemporary musicians, among them Mauricio Kagel. My intention was to displace his gestures using a form of filmic doubling employing the technique of creating bispecular-asynchronous loops which mime—with extreme visual results—the actions and the objects on stage to make them stand out and to distance them from the action.

05 February 1973

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