Once Upon a Time in the West

1968 | 166 minutes | 8.3 ★ (4311)

Once Upon a Time in the West
  • Overview

    As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

  • Release Date

    21 December 1968

  • DirectingSergio Leone
  • Budget

    $5,000,000.00

  • Revenue

    $5,380,118.00

  • Stars

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User Reviews

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AG

Andres Gomez

23 June 2021

All what you can expect from a western.

PMG

Peter McGinn

23 June 2021

With apologies (not really) to fans who disagree, this is truly a classic western. I read a criticism that some scenes run long with agonizingly lengthy close-ups, but I found the cinematography intriguing. Those shots divulge nearly as much into the characters' personalities as a wad of dialogue from older traditional westerns. Sometimes in a spaghetti western I find myself thinking, aw, why did that innocent person have to die, but innocents did die in the old west, I imagine. I am sure there was a lot of senseless violence then, just as there is now. And Bronson seemed like an odd choice as hero to me, though who can question a director who had the instinct to make perennial good guy Henry Fonda the ultimate villain? He didn't suck in this role, did he? And at least we get some back story with the harmonica playing Bronson character, unlike with old Blondie from Leone's The Good The Bad and the Ugly. And if you like the soundtrack, check out a YouTube video by The Danish National Symphony Orchestra And watch how they recreated the various parts of the music. It is pretty neat and just eight minutes long. So yeah, I think Once Upon a Time in the West is a western classic, a Greek tragedy with spurs. So shoot me (at ten paces).

b

badelf

17 July 2022

I can't say that this script doesn't play on Clint Eastwood's "Man with No Name" (which Sergio Leone also directed), but it's not important. If you're a spaghetti western fan, this film is a step up. The idea of putting Fonda in a bad guy role, and casting Bronson as anti-hero was a little shocking at first. At the end, I see how it worked to film's advantage by making all the characters more complex, ambiguous and real. If you were a Clint Eastwood, you'll love this film.

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